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I've destroyed a work of art!


That title sounds dramatic, until you realise it was graffiti - by that upstart young Cartrain, no less. You see, a group of neighbours from Ferndale Area Residents Association are dedicated to keeping "our patch" clean. We hold regular litter picks, and paint over or wipe out graffiti. And last time out, I erased some of Cartrain's work. A sprayed "bomb" with George Bush's head in it was among the unsightly decor on a wall near to Leytonstone High Road overground station - and we painted over everything that was there.

Imagine my surprise to learn that this image, alongside a rendition of Mickey Mouse, sells for £250! (Or at least that's how much he's asking - see 100artworks.com for details.) I found that "100artworks" website after reading about Cartrain in Private Eye where they report that the poor chap has been victimised - it seems that Damien Hirst himself is after a share of Cartrain's profits. If you actually care, you can read the story here: http://adammacqueen.blogspot.com/2008/11/eyelights.html . Basically Hirst got the hump about Cartrain using a photo of his extortionately-priced, diamond-encrusted skull. It must be so hard being a well known millionaire artist!

But Banksy apparently loves Cartrain, and gave him a piece of work worth £10,000. Still, does that mean the kid's street spraying is any good? Perhaps Banksy appreciates the fact that he has young pretenders hanging on his shirt tails. But being honest, Cartrain's work is rather shallow, both artistically and politically. Cartrain has put videos of his exploits on YouTube, showing where he's left his mark around Leytonstone. When I see places that I recognise, it makes me feel sick. These are places where I live and work, and which my council tax helps to keep clean. There is nothing clever about it.

To my mind what he does is no better than "Check"'s repetitive tagging, or any other act of petty vandalism. It's not well executed, and graffiti brings down the feel of the place - it stops people from being proud of the area where they live. Don't get me wrong, I've seen some wonderful work done with spray cans at festivals, and there it can be an enhancement. But done illegally, the musings of a teenage boy rendered in single layers of paint? If it had been any good, perhaps we'd be campaigning to protect his work, like with Banksy. Cartrain can't help being a kid, but he still has a lot of growing up to do.

So that's why I destroyed his work. Tell me, was it art?

Comments(4)

Walthamster says...
4:50pm Fri 2 Jan 09

Good work, Flash. Graffiti makes streets look neglected, so they stop feeling like people's "home patch" and start to seem unsafe. The same thing happens when they're left full of litter or with cars dumped and decaying. Then people go out less, so the streets really do become lonely, unsafe places and the area goes down hill.
But the opposite happens when people clean up, especially when other people see that they have friendly neighbours who care about the place. And so you can reverse the downhill trend.
Now can someone tell the council to lend a hand!

Zoreli says...
12:06am Sun 4 Jan 09

It's unfortunate that the Banksy bandwagon has encouraged a host of copycats to daub our streets.

Technomist says...
6:44pm Mon 5 Jan 09

Banksy was just a copycat himself really, albeit one who sometimes had a good sense of humour, was a good self publicist and who did eventually develop his talents.

Banksy's recent non-graffti work is much more exciting to my mind than his instantly recognizable, almost formulaic stuff when he was stagnating for the edification of the chattering classes.

There is nothing very original about graffiti. Who knows how much talent is wasted by artists who go down this artistic dead-end and then can't get themselves out of it?

Baffled says...
6:15pm Wed 7 Jan 09

If Cartrain really does have a Banksy, i'll eat my own ears. He can't even get his story straight on any of the numerous message broads and forums he visits. He seems to spend a lot of time trawling the web for mentions of his name, so no doubt he'll end up here defending his juvenile, missing-the-point-en
tirely sub-sixth-form daubings.


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